4K, Full HD, 1920×1200 resolution broadcast video monitors for measurement of signals in video and television production centres
The Kroma by AEQ range of video monitors covers the range of sizes, resolutions, performance and applications required for video signal display, text and measurement in broadcast and other professional applications.
LM 9000 series 4K Broadcast Monitors

UHD broadcast monitors with professional features based on quadruple 10-bit processors. Available in 55", 31" and 24" sizes. Support for 4K video signals in Single and Quad Link, both in "Square division" and "2 sample interleave" formats.

- 2×8G-SDI with respective loops for Single-Link UHD and 4K signals display
- 4×8G-SDI for 4K and UHD signals display with Quad-Link
- 4K image processing in "Square Division" and "2-Sample Interleave" formats
- DCI 2.0 input (not compatible with HDCP) for resolutions up to 2160p60
- Color space correction (3D LUT) ITU, NTSC, SMPTE-C, REC709, BT.2020 and D CINEMA
- Color temperature selection: 3200K, 5500K, 6500K and 9300K
- Firmware upgrade via USB port
- Remote control through GPI port (RJ45 connector)
- Audio level meter for up to 16 channels
- HDR display function with ST2048, ST2084, HLG curves and Slog7. Demo mode for HDR/SDR comparison
- Peaking and False Color
- LTC and DVITC timecode display
- Vectorscope and waveform
- Closed Caption according to 608, 858 ANC and CC708
- Blue Only / Mono
- Marker formats: 4:3, 16:9, 14:9, 13:9, 2.35:1 and 1.85:1 with adjustable transparency
- Safe Area: 80%, 85%, 88%, 90%, 93%, 95%, EBU, Graphic, Action
- Sharpness, delay, scan, inverted image
- H/V Flip function
- Aspect ratios: 4:3, 16:9, 15:9, 14:9, 1.85:1, 2.35:1, 1:1, native
- Power supplies: internal switching AC power supply and DC input
LM 8000 series Full HD Monitors

9", 18" and 24" high-end monitors with Full HD resolution for signal check and measurement in video and television production centres. Deeper colour depth, better scaling of input images, improved deinterlacing, Dual Input Dual Output and HDR display.

- Remote control through Ethernet port and 2nd generation PC remote control software
- Colorimetry configuration via menu, with multiple user memories and colour spaces
- Colour temperature selection: 3200K, 5500K, 6500K and 9300K
- Audio de-embedding in SDI (16 channels) and DCI input
- VU meter display for up to 16 channels with different scales (dBFS, BBC, DIN, Nordic, STD, NA, FRA, EBU)
- Phase meter showing the correlation between each stereo audio pair
- PIP, PBP, PBP A, PBP H functions
- Waveform (Y Cb Cr) and vectorscope
- Luma check, false colour and focus-assist
- Preview according to BT2100 standard for ST2084 (PQ) and HLG
- IMD configurable by menu and TSL protocol
- TimeCode
- Multiple aspect ratios: 4:3, 16:9, Auto, Native, 1:1
- Markers with format variations and different transparency levels: 4:3, 21:9, 16:9, 15:9, 14:9, 13:9, 2.39:1, 2.35:1, 1.896:1, 1.85:1 and 1.66:1
- Safe Area: 80%, 85%, 88%, 90%, 93%, Graphic, Action
- Center Marker with three possible sizes
- Sharpness, delay, scan, image inversion
- Freeze mode
- Layout mode for single-window analysis of video signal parameters and auxiliary data
- Closed Caption CC608 (VBI), CC608 (ANC) and CC708
- DualSplit mode
- Colorimetry auto-calibration via colour probe and Kroma-specific Lightillusion software. Generates exclusive 3D LUTs per monitor
- Different Gamut selection for SDR (Rec709, SMPTE-C, EBU, NTSC, DCI and Rec2020) and HDR (Rec709, DCI and Rec2020)
- Internal power supply
Optional Control Software
Auto-calibration of the monitor colours by connecting a colour probe and ColourSpace Kroma-specific control software from Lightillusion. This calibration generates 3D LUT (look up tables) exclusive for each monitor in order to correct all non-linearity inherent to the display manufacturing process. With this ColourSpace software it's possible to generate SDR and HDR colour spaces (HLG, PQ, BT709, BT2020...) for all LMx000 sizes.

3D LUT Calibration by Lightillusion
Preview Monitors
LM 7500 Series
The 7500 series from KROMA, with monitor kits of 9", 7", 5" and 4", feature high quality LED-backlight screens, 3G signal display, camera calibration tools and improved functions. The ideal choice for HD/3G OB Vans and sports productions.
BrochureLM 6500 Series
The LM6500 series includes monitors in 4", 5" and 7" based on 16:9 native LCD high resolution panels with LED backlight. 4 video inputs per monitor. The ideal choice for HD OB Vans and sports productions.
BrochureAvailable Calibration Tools

Colourimetry
Primary colour red, green and blue adjustments, as well as Gamma correction. Different colour gamut selection: HD-BT.709, 4K-DCI and BT.2020.

High Dynamic Range (HDR)
Brightness up to 1000Cd/m². The LM9000 monitors accurately reproduce every HDR video standard: HLG, ST2084 or PQ.

Calibration Software 3D LUT
Allows each monitor to be individually adjusted to the user's preferences and the colour spaces standardised by international organisations.

Blue Only / Mono
Blue channel display, excluding red and green, or monochrome display, allowing colour adjustment.

Focus Assist
Focused edges are highlighted in red when they reach a certain sharpness value (configurable by menu).

Waveform & Vectorscope
Video signal analysis for luminance and chrominance levels in YCbCr or RGB format, according to ITU and SMPTE standards.

Dual Split
Two signals monitored with their corresponding waveforms, vectorscope, IMD and tally. An integrated splitter at no extra cost.
Pixel Mapping
Shows the real pixels of the signal, avoiding decimation on 9" and 18.5" screens with Full HD signals. Zooms in on the signal.

VU Meters
The VU meters detect and evaluate the audio level of all channels present in the video signal.

Aspect Ratio
Allows working at pixel level with each existing format in professional video, reproducing the input signal with its native resolution.

Markers
The different markers help the operator to determine which parts of the image are finally seen by the viewers.

False Color & Luma Check
Luma check highlights pixels out of range: red for underexposed and cyan for overexposed. False colour scales luminance values in 10 different levels.

Timecode
On-screen display of time code embedded in SDI signals in LTC and VITC formats.
Closed Caption
EIA-608 closed captioning support in both VBI and ANC formats, as well as EIA-708.

Alarms Settings
In the QuadSplit series, independent alarms can be configured for each quadrant: loss of synchro, freeze frame, loss of image and audio.



